![]() ![]() ![]() The development of recorded sound paralleled the growth of cinema, but it wasn't until the 1926 film Don Juan that sound was incorporated into cinema-albeit without dialogue-with synchronized Vitaphone sound effects and musical soundtrack. In the days of silent cinema, film was either accompanied by by a theatre organ or a photo player, both carrying multi-faceted electronic or percussion tools that could mimic a small range of sounds like train whistles, gunshots, sirens, and ocean surf. ![]() Sound effects were first creatively explored in radio with the Foley artist (named after Jack Donovan Foley, inventor of sound effects), who would create live environmental sounds-such as walking up a flight of stairs or a slamming door-in radio studios during live broadcasts.
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